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{{POV|date=September 2017}}
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{{Infobox artist
{{Infobox artist
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| nationality = [[Côte d'Ivoire]]
| nationality = [[Côte d'Ivoire]]
| field = [[Photography]]
| field = [[Photography]]
| website = {{URL|joana-choumali.squarespace.com/about}}
| website = {{URL|joanachoumali.com}}
| training =
| training =
| movement =
| movement =
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'''Joana Choumali''' is a freelance photographer based in [[Abidjan, Côte d'Ivoire]]. She uses photography to explore issues of identity and the diversity of African cultures.<ref>{{Cite web|url=https://www.lensculture.com/joana-choumali|title=Joana Choumali {{!}} LensCulture|last=LensCulture|first=Joana Choumali {{!}}|website=LensCulture|access-date=2017-03-11}}</ref>
'''Joana Choumali''' (born 1974) is a freelance photographer based in [[Abidjan, Côte d'Ivoire]]. She uses photography to explore issues of identity and the diversity of African cultures.<ref name="lensculture">{{Cite web|url=https://www.lensculture.com/joana-choumali|title=Joana Choumali {{!}} LensCulture|last=LensCulture|first=Joana Choumali {{!}}|website=LensCulture|access-date=2017-03-11}}</ref>


==Life and work==
==Life and work==
Joana Choumali was born and raised in [[Abidjan]]. After attending local international schools, she studied [[Graphic arts|Graphic Arts]] in [[Casablanca|Casablanca (Morocco)]] and worked as an Art Director in an advertising agency before starting her photography career. Her style includes conceptual portraiture, mixed media and documentary. Much of her work focuses on Africa, her assumptions about the diversity of cultures around her, and her expanding conceptions of the world.<ref>{{Cite web|url=https://www.lensculture.com/joana-choumali|title=Joana Choumali {{!}} LensCulture|last=LensCulture|first=Joana Choumali {{!}}|website=LensCulture|access-date=2017-03-11}}</ref>
Joana Choumali was born and raised in [[Abidjan]]. After attending local international schools, she studied [[Graphic arts|Graphic Arts]] in [[Casablanca|Casablanca (Morocco)]] and worked as an Art Director in an advertising agency before starting her photography career. Her style includes conceptual portraiture, mixed media and documentary. Much of her work focuses on Africa, her assumptions about the diversity of cultures around her, and her expanding conceptions of the world.<ref name="lensculture"/>


As a child, Choumali would travel to [[Adaou]], a small town in the southeast, to visit her grandmother, a farmer and trader. She often felt a cultural disconnect as they did not speak the same language or share life experiences. After her grandmother died in 2001, Choumali lamented losing part of her family history and questioned her identity as an African.<ref>{{Cite news|url=https://lens.blogs.nytimes.com/2016/03/02/joana-choumali-africa-ivory-coast-portrait-photos/?_r=0|title=Young Africans, Wrapped in Tradition|last=Richardson|first=Whitney|work=Lens Blog|access-date=2017-03-11|language=en}}</ref> This experienced inspired her 2014 portrait series, "Resilients", which documents young, professional African women who also struggled with connecting to their family's traditional past. The only requirement was that the women had to wear traditional clothing already worn by their grandmother or an older female relative, emphasizing the link between past and present.
As a child, Choumali would travel to [[Adaou]], a small town in the southeast, to visit her grandmother, a farmer and trader. She often felt a cultural disconnect as they did not speak the same language or share life experiences. After her grandmother died in 2001, Choumali lamented losing part of her family history and questioned her identity as an African.<ref>{{Cite news|url=https://lens.blogs.nytimes.com/2016/03/02/joana-choumali-africa-ivory-coast-portrait-photos/?_r=0|title=Young Africans, Wrapped in Tradition|last=Richardson|first=Whitney|work=Lens Blog|access-date=2017-03-11|language=en}}</ref> This experienced inspired her 2014 portrait series, "Resilients", which documents young, professional African women who also struggled with connecting to their family's traditional past. The only requirement was that the women had to wear traditional clothing already worn by their grandmother or an older female relative, emphasizing the link between past and present.


Choumali used to be fascinated seeing people of different social origins proudly displaying their facial [[scarification]] across the Ivory Coast, but the practice is dying out. Choumali's 2014 work, "Hââbré, the last generation", documents the last generation of scarified Africans. “Hââbré” means “writing”, “sign” and “scarification”; this one word signifies all three notions in Kô, a language from [[Burkina Faso]]. Most of the people photographed emigrated from Burkia Faso a long time ago, but the scarification reminds them of their home country and their past. The project gathers their testimonies and looks at their integration into Ivoirian socity.<ref>{{Cite web|url=http://blog.leica-camera.com/2015/02/04/joana-choumali-haabre-the-last-generation/|title=Joana Choumali: "Hââbré, the Last Generation"|date=2015-02-04|website=The Leica Camera Blog|access-date=2017-03-11}}</ref>
Choumali used to be fascinated seeing people of different social origins proudly displaying their facial [[scarification]] across the Ivory Coast, but the practice is dying out. Choumali's 2014 work, ''Hââbré, the Last Generation,'' documents the last generation of scarified Africans. “Hââbré” means “writing”, “sign” and “scarification”; this one word signifies all three notions in Kô, a language from [[Burkina Faso]]. Most of the people photographed emigrated from Burkia Faso a long time ago, but the scarification reminds them of their home country and their past. The project gathers their testimonies and looks at their integration into Ivoirian socity.<ref>{{Cite web|url=http://blog.leica-camera.com/2015/02/04/joana-choumali-haabre-the-last-generation/|title=Joana Choumali: "Hââbré, the Last Generation"|date=2015-02-04|website=The Leica Camera Blog|access-date=2017-03-11}}</ref>


Her work continues to convey her vision of an Africa that’s between tradition and modernity.
Her work continues to convey her vision of an Africa that’s between tradition and modernity.
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{{DEFAULTSORT:Choumali, Joana}}
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[[Category:Women photographers]]
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[[Category:Ivorian photographers]]
[[Category:1974 births]]
[[Category:1974 births]]
[[Category:Living people]]
[[Category:Living people]]
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[[Category:Women photographers]]
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[[Category:Ivorian photographers]]
[[Category:Ivorian women artists]]
[[Category:Ivorian women artists]]

Revision as of 13:53, 21 August 2018

Joana Choumali
Born
Joana Choumali

1974
Abidjan, Côte d'Ivoire
NationalityCôte d'Ivoire
Known forPhotography
Websitejoanachoumali.com

Joana Choumali (born 1974) is a freelance photographer based in Abidjan, Côte d'Ivoire. She uses photography to explore issues of identity and the diversity of African cultures.[1]

Life and work

Joana Choumali was born and raised in Abidjan. After attending local international schools, she studied Graphic Arts in Casablanca (Morocco) and worked as an Art Director in an advertising agency before starting her photography career. Her style includes conceptual portraiture, mixed media and documentary. Much of her work focuses on Africa, her assumptions about the diversity of cultures around her, and her expanding conceptions of the world.[1]

As a child, Choumali would travel to Adaou, a small town in the southeast, to visit her grandmother, a farmer and trader. She often felt a cultural disconnect as they did not speak the same language or share life experiences. After her grandmother died in 2001, Choumali lamented losing part of her family history and questioned her identity as an African.[2] This experienced inspired her 2014 portrait series, "Resilients", which documents young, professional African women who also struggled with connecting to their family's traditional past. The only requirement was that the women had to wear traditional clothing already worn by their grandmother or an older female relative, emphasizing the link between past and present.

Choumali used to be fascinated seeing people of different social origins proudly displaying their facial scarification across the Ivory Coast, but the practice is dying out. Choumali's 2014 work, Hââbré, the Last Generation, documents the last generation of scarified Africans. “Hââbré” means “writing”, “sign” and “scarification”; this one word signifies all three notions in Kô, a language from Burkina Faso. Most of the people photographed emigrated from Burkia Faso a long time ago, but the scarification reminds them of their home country and their past. The project gathers their testimonies and looks at their integration into Ivoirian socity.[3]

Her work continues to convey her vision of an Africa that’s between tradition and modernity.

Exhibitions

  • 2014: The Troppenmuseum of World Cultures, Amsterdam, Skin Deep, Hââbré, the Last Generation
  • 2015: Photoquai Biennale, "We are family" Quai Branly Museum, and Eiffel Tower, Paris, Series Hââbré, the Last Generation[4]
  • 2015: Photolux Festival, Sacro e profano, Lucca, Italy, Series Résilientes[5]
  • 2016: Solo Exhibition, 50 Golborne Gallery, London, Hââbré, the Last Generation[6]

Awards

  • 2014: LensCulture Emerging Talents Awards, Hââbré, the Last Generation[7]
  • 2014: POPCAP '14 Prize Africa, Hââbré, the Last Generation
  • 2016: Magnum Foundation Emergency Fund, Series "Sissi Barra"[8]
  • 2016: Fourthwall book Award, Hââbré, the Last Generation[9]

References

  1. ^ a b LensCulture, Joana Choumali |. "Joana Choumali | LensCulture". LensCulture. Retrieved 2017-03-11.
  2. ^ Richardson, Whitney. "Young Africans, Wrapped in Tradition". Lens Blog. Retrieved 2017-03-11.
  3. ^ "Joana Choumali: "Hââbré, the Last Generation"". The Leica Camera Blog. 2015-02-04. Retrieved 2017-03-11.
  4. ^ "Photoquai 2015 - Les photographes - Joana Choumali". www.photoquai.fr. Retrieved 2017-03-11.
  5. ^ "Joana Choumali | Resilients - Photoluxfestival". Photoluxfestival. 2016-04-11. Retrieved 2017-03-11.
  6. ^ "50Golborne | African Art Gallery | London". 50Golborne | African Art Gallery | London. Retrieved 2017-03-11.
  7. ^ LensCulture. "LensCulture Emerging Talents 2014". LensCulture. Retrieved 2017-03-11.
  8. ^ "TIME Exclusive: Magnum Emergency Fund Announces 2016 Grantees". Time. Retrieved 2017-03-11.
  9. ^ "Hââbré, The Last Generation - Fourthwall Books". Fourthwall Books. Retrieved 2017-03-11.
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