Hans Verhagen den Stommen: Difference between revisions
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'''Hans Verhagen den Stommen''' or '''Hans Verhagen der Stomme''' (alternative spelling: Verhaghen) (c. 1540-1545, [[Mechelen]] – c. 1600, [[Antwerp]]) was a [[Southern Netherlands|Flemish]] [[painter]] and [[draftsman]] mainly known for his drawings of animals. |
'''Hans Verhagen den Stommen''' or '''Hans Verhagen der Stomme''' (alternative spelling: Verhaghen) (c. 1540-1545, [[Mechelen]] – c. 1600, [[Antwerp]]) was a [[Southern Netherlands|Flemish]] [[painter]] and [[draftsman]] mainly known for his drawings of animals. |
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==Life== |
==Life== |
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He was born in Mechelen and is mentioned in 1554/55 as a pupil of Anthuenes (Anthoni) Bessemer.<ref name=rkd>[http://www.rkd.nl/rkddb/dispatcher.aspx?action=search&database=ChoiceArtists&search=priref=433901 Hans Verhagen der Stomme] at the [[Netherlands Institute for Art History]] {{link language|nl|Middle Dutch}}</ref> |
He was born in Mechelen and is mentioned in 1554/55 as a pupil in Antwerp of the Mechelen painter Anthuenes (Anthoni) Bessemer.<ref name=rkd>[http://www.rkd.nl/rkddb/dispatcher.aspx?action=search&database=ChoiceArtists&search=priref=433901 Hans Verhagen der Stomme] at the [[Netherlands Institute for Art History]] {{link language|nl|Middle Dutch}}</ref><ref name=os/> |
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It is uncertain whether Hans Verhagen |
It is uncertain whether Hans Verhagen den Stommen is identical to the Hans Verhagen who executed in 1576 two paintings, one depicting Moses striking water from the rock, and the other the Judgment of Solomon which were made for the town hall in [[Emden]], Germany, where they hung until 1944 (now in the Ostfriesisches Landesmuseum in Emden).<ref name=rkd/> There was also a painter called Hans Verhaghen from Mechelen who worked around 1600 in Rotterdam and Delft, who is believed to have painted cartoons for the tapestry works. It is not clear whether this person is identical to Hans Verhagen den Stommen.<ref name=os>[http://www.oxfordartonline.com/subscriber/article/grove/art/T088806 Peter Dreyer. "Verhagen der Stomme, Hans.]" Grove Art Online. Oxford Art Online. Oxford University Press. Web. 18 Jun. 2014</ref> |
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His nickname ‘’den Stommen’’ means 'mute' in Dutch and indicates that he may have been mute. |
His nickname ‘’den Stommen’’ means 'mute' in Dutch and indicates that he may have been mute. |
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==Work== |
==Work== |
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He is mainly know for his animal drawings. The Österreichische Nationalbibliothek in Vienna holds a codex of Naturstudien (studies of nature) that was once the property of Rudolf II. Four of the drawings in the folio are inscribed in the handwriting of the Flemish court painter [[Joris Hoefnagel]] attributing the drawings to a 'Hans Verhagen den stommen van Antwerpen'. Other than these four studies in the Naturstudien Codex, only 20 drawings by the same hand are known. These drawings which depict animals are kept at the Kupferstichkabinet in Berlin. One drawing shows the elephant that was exhibited in Antwerp in the autumn of 1563. |
He is mainly know for his animal drawings. The Österreichische Nationalbibliothek in Vienna holds a codex of Naturstudien (studies of nature) that was once the property of Emperor [[Rudolf II]]. Four of the drawings in the folio are inscribed in the handwriting of the Flemish court painter [[Joris Hoefnagel]] attributing the drawings to a 'Hans Verhagen den stommen van Antwerpen'. Other than these four studies in the Naturstudien Codex, only 20 drawings by the same hand are known. These drawings which depict animals are kept at the Kupferstichkabinet in Berlin. One drawing shows the elephant that was exhibited in Antwerp in the autumn of 1563. |
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Hans Verhagen |
Hans Verhagen den Stommen shows very exact observation skills in his drawings. He usually drew animals in their characteristic outline or in complementary views using opaque colours. His works can be regarded as the start of scientific animal illustration in Antwerp. His zoological reliability had a significant influence on other artists, such as [[Hans Bol]] and Joris Hoefnagel. Hoefnagel used some of the drawings of Verhagen as models for his four-volume manuscript of natural history miniatures. Anonymous artists working in the later 16th century and the early 17th also copied his work.<ref name=os/> |
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==References== |
==References== |
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|NAME = Verhagen den Stomme, Hans |
|NAME = Verhagen den Stomme, Hans |
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Revision as of 17:31, 18 June 2014
Hans Verhagen den Stommen or Hans Verhagen der Stomme (alternative spelling: Verhaghen) (c. 1540-1545, Mechelen – c. 1600, Antwerp) was a Flemish painter and draftsman mainly known for his drawings of animals.
Life
He was born in Mechelen and is mentioned in 1554/55 as a pupil in Antwerp of the Mechelen painter Anthuenes (Anthoni) Bessemer.[1][2]
It is uncertain whether Hans Verhagen den Stommen is identical to the Hans Verhagen who executed in 1576 two paintings, one depicting Moses striking water from the rock, and the other the Judgment of Solomon which were made for the town hall in Emden, Germany, where they hung until 1944 (now in the Ostfriesisches Landesmuseum in Emden).[1] There was also a painter called Hans Verhaghen from Mechelen who worked around 1600 in Rotterdam and Delft, who is believed to have painted cartoons for the tapestry works. It is not clear whether this person is identical to Hans Verhagen den Stommen.[2]
His nickname ‘’den Stommen’’ means 'mute' in Dutch and indicates that he may have been mute.
Work
He is mainly know for his animal drawings. The Österreichische Nationalbibliothek in Vienna holds a codex of Naturstudien (studies of nature) that was once the property of Emperor Rudolf II. Four of the drawings in the folio are inscribed in the handwriting of the Flemish court painter Joris Hoefnagel attributing the drawings to a 'Hans Verhagen den stommen van Antwerpen'. Other than these four studies in the Naturstudien Codex, only 20 drawings by the same hand are known. These drawings which depict animals are kept at the Kupferstichkabinet in Berlin. One drawing shows the elephant that was exhibited in Antwerp in the autumn of 1563.
Hans Verhagen den Stommen shows very exact observation skills in his drawings. He usually drew animals in their characteristic outline or in complementary views using opaque colours. His works can be regarded as the start of scientific animal illustration in Antwerp. His zoological reliability had a significant influence on other artists, such as Hans Bol and Joris Hoefnagel. Hoefnagel used some of the drawings of Verhagen as models for his four-volume manuscript of natural history miniatures. Anonymous artists working in the later 16th century and the early 17th also copied his work.[2]
References
- ^ a b Hans Verhagen der Stomme at the Netherlands Institute for Art History Template:Link language
- ^ a b c Peter Dreyer. "Verhagen der Stomme, Hans." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 18 Jun. 2014
